Being a lazy Labor Day weekend I thought this was worth sharing for a laugh. I found this article on the Pro Video Coalition website on how to read between the lines and interpret crew listings on Craigslist.

* denotes must sees.

September

Burn After Reading…9/12

Elite Squad…9/19

Choke…9/26

Miracle at St. Anna…9/26

October

Nick & Nora’s Infinite Playlist…10/3

Religulous…10/3

W….10/17

*Synecdoche, New York…10/24

Zack and Miri Make a Porno…10/31

November

Milk…11/26  and whatever I didn’t see in September and October.

December

*The Curious Case of Benjamin Button…12/25

Valkyrie…12/25

Note to self: take this number and cut it in half, add the remaining to Netflix queue.

More Fall coverage from New York Magazine.

When a filmmaker casts his own parents as parents––in a film about an adult and his relationship to his parents upon returning to his childhood home, a film which said filmmaker shoots *in* his childhood home––you’d expect (or maybe fear) that the result would be meta-personal to the point of solipsism. But what’s really surprising about Azazel Jacob’s Momma’s Man, which stars his experimental filmmaker father Ken Jacobs and mother Flo Jacobs and was shot in the Manhattan loft in which the family has lived for decades, is that it feels completely universal. The story of a 30-something husband and father of a newborn who extends a stay at his parents’ ramshackle New York apartment indefinitely, it’s an incredible portrait of the final phase of coming of age, the transition from being parented to parenting.

I couldn’t wait to see this when Linda was on the verge of giving birth to the boy because, well, it described everything I was going through at the time in a little capsule. The panic, the responsibly, the desire to crawl back into the womb myself. I’m going to try and check it out next week myself but all of you should give this film a little weekend box office love. Check the trailer: