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	<title>This Savage Art &#187; Filmmaking</title>
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	<link>http://www.thissavageart.com</link>
	<description>a steady diet of obsessive cinema and screenwriting in the dark</description>
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	<copyright>Copyright &#xA9; This Savage Art 2010 </copyright>
	<managingEditor>wsperuzzi@gmail.com (This Savage Art)</managingEditor>
	<webMaster>wsperuzzi@gmail.com (This Savage Art)</webMaster>
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		<title>This Savage Art</title>
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	<itunes:summary>a steady diet of obsessive cinema and screenwriting in the dark</itunes:summary>
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	<itunes:category text="Society &#38; Culture" />
	<itunes:author>This Savage Art</itunes:author>
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		<itunes:name>This Savage Art</itunes:name>
		<itunes:email>wsperuzzi@gmail.com</itunes:email>
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		<title>The Creative&#8217;s Life</title>
		<link>http://www.thissavageart.com/2011/04/01/the-creatives-life/#utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-creatives-life</link>
		<comments>http://www.thissavageart.com/2011/04/01/the-creatives-life/#comments</comments>
		<pubDate>Fri, 01 Apr 2011 15:28:31 +0000</pubDate>
		<dc:creator>William Speruzzi</dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[Directing]]></category>
		<category><![CDATA[Filmmaking]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[Screenwriting]]></category>
		<category><![CDATA[alexander mackendrick]]></category>
		<category><![CDATA[time management]]></category>

		<guid isPermaLink="false">http://www.thissavageart.com/?p=2037</guid>
		<description><![CDATA[As I get ready to celebrate my son turning three only to be followed by the preparation for another move to another apartment I&#8217;m trying to stay focused on filmmaking. I can&#8217;t physically make a film now or really wrap my mind around writing anything but I can still be exposed to the teachings of [...]<p class="extra"><a href="http://jarederickson.com/freebies/" title="Jared Erickson" >A minimal wordpress theme by Jared Erickson</a></p>]]></description>
			<content:encoded><![CDATA[<p>As I get ready to celebrate my son turning three only to be followed by the preparation for another move to another apartment I&#8217;m trying to stay focused on filmmaking. I can&#8217;t physically make a film now or really wrap my mind around writing anything but I can still be exposed to the teachings of others. So instead of abandoning everything I decided to read up. I started a book that I&#8217;ve had for a while but haven&#8217;t cracked open yet and I&#8217;m glad I recently did. The book is <a href="http://www.amazon.com/gp/product/0571211259/ref=as_li_tf_tl?ie=UTF8&amp;tag=thisavart-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=0571211259">On Film-making: An Introduction to the Craft of the Director</a><img style="border: none !important; margin: 0px !important;" src="http://www.assoc-amazon.com/e/ir?t=thisavart-20&amp;l=as2&amp;o=1&amp;a=0571211259" alt="" width="1" height="1" border="0" /> and it&#8217;s a benefit to the writer-director. It validates a belief that I&#8217;ve had in my head for a long time now and that is you cannot effectively give out advice about something if you&#8217;ve never actually executed it. Theories that state that some people make better teachers are valid but this happens to be a case that covers its bases. The director <a title="Wiki" href="http://en.wikipedia.org/wiki/Alexander_Mackendrick" target="_blank">Alexander Mackendrick</a> not only directed <em>Sweet Smell of Success, </em>a film that encapsulates what I think a film should be, he also was the founding dean of the Cal Arts film school where he taught for 24  years. I&#8217;m going to get into the details of book in later post but if you want to get answers for the &#8220;unanswerable questions&#8221; of directing and story this book is a goldmine.</p>
<p>I also read a <a title="NoFilmSchool" href="http://nofilmschool.com/2011/03/hours-dont-lie-tracking-time/" target="_blank">post</a> on time management that every creative should read. Time is everything to me now and I want to make the most out of it. Accounting for your work hours and seeing how much time your wasting on Facebook is a good start. I will be implementing some of these methods once I get settled in and have a desk again. Read this post.</p>
<p>Another post I came across is definitely worth a read too. The title says it all, <a title="Austin Kleon" href="http://www.austinkleon.com/2011/03/30/how-to-steal-like-an-artist-and-9-other-things-nobody-told-me/" target="_blank">How To Steal Like An Artist (And 9 Other Things No One Told Me.)</a> It&#8217;s by a guy named Austin who lives in, eh, Austin. It&#8217;s destiny.</p>
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		<title>Guest Post At NoFilmSchool</title>
		<link>http://www.thissavageart.com/2011/03/12/guest-post-at-nofilmschool/#utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=guest-post-at-nofilmschool</link>
		<comments>http://www.thissavageart.com/2011/03/12/guest-post-at-nofilmschool/#comments</comments>
		<pubDate>Sat, 12 Mar 2011 22:13:52 +0000</pubDate>
		<dc:creator>William Speruzzi</dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[Filmmaking]]></category>
		<category><![CDATA[Independent]]></category>
		<category><![CDATA[The Face of the Earth]]></category>
		<category><![CDATA[diy]]></category>
		<category><![CDATA[nofilmschool]]></category>

		<guid isPermaLink="false">http://www.thissavageart.com/?p=1975</guid>
		<description><![CDATA[Koo over at NoFilmSchool runs a great site geared towards the independent/DIY set. Cutting edge info for the now. It also was voted Best Creative Blog by Total Film and for some reason he thought something I posted here was of value to his readership. See for yourself and tell me what&#8217;s missing from my [...]<p class="extra"><a href="http://jarederickson.com/freebies/" title="Jared Erickson" >A minimal wordpress theme by Jared Erickson</a></p>]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.thissavageart.com/wp-content/uploads/2011/03/NoFilmSchool-e1299977492482.jpeg"><img class="size-full wp-image-1976 alignleft" title="NoFilmSchool" src="http://www.thissavageart.com/wp-content/uploads/2011/03/NoFilmSchool-e1299977492482.jpeg" alt="" width="224" height="119" /></a>Koo over at <a title="NoFilmSchool" href="http://nofilmschool.com/about/" target="_blank">NoFilmSchool</a> runs a great site geared towards the independent/DIY set. Cutting edge info for the now. It also was voted <a title="Total Film" href="http://www.totalfilm.com/news/2011-total-film-blog-awards-the-results" target="_blank">Best Creative Blog</a> by Total Film and for some reason he thought something I posted <a title="This Savage Art" href="http://www.thissavageart.com/2005/05/14/top-ten-things-to-prepare-for-when-making-a-film/" target="_blank">here</a> was of value to his readership. <a title="NoFilmSchool" href="http://nofilmschool.com/2011/03/fifteen-prepare-making-film/" target="_blank">See for yourself</a> and tell me what&#8217;s missing from my list.</p>
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		<item>
		<title>MFA, Maybe</title>
		<link>http://www.thissavageart.com/2009/11/19/mfa-maybe/#utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=mfa-maybe</link>
		<comments>http://www.thissavageart.com/2009/11/19/mfa-maybe/#comments</comments>
		<pubDate>Thu, 19 Nov 2009 14:16:58 +0000</pubDate>
		<dc:creator>William Speruzzi</dc:creator>
				<category><![CDATA[Career]]></category>
		<category><![CDATA[Filmmaking]]></category>
		<category><![CDATA[NYC]]></category>
		<category><![CDATA[Personal]]></category>
		<category><![CDATA[Screenwriting]]></category>
		<category><![CDATA[Columbia University]]></category>
		<category><![CDATA[Directing]]></category>
		<category><![CDATA[MFA]]></category>
		<category><![CDATA[NYU]]></category>
		<category><![CDATA[Tisch School Of The Arts]]></category>

		<guid isPermaLink="false">http://www.thissavageart.com/?p=1614</guid>
		<description><![CDATA[I think I&#8217;m a pretty smart guy. Not a Mensa member by any stretch but I have commons sense, can change a flat tire, know how to order a bottle of wine, can talk my way out of a traffic ticket and can count to ten in four languages. So I put this question to [...]<p class="extra"><a href="http://jarederickson.com/freebies/" title="Jared Erickson" >A minimal wordpress theme by Jared Erickson</a></p>]]></description>
			<content:encoded><![CDATA[<p>I think I&#8217;m a pretty smart guy. Not a Mensa member by any stretch but I have commons sense, can change a flat tire, know how to order a bottle of wine, can talk my way out of a traffic ticket and can count to ten in four languages. So I put this question to you fine readers, what is an MFA worth out there in the film industry with the state of things as they are?</p>
<p>I have been wrestling with the thought of going back to school and getting a Masters in Fine Arts. There are only two schools I&#8217;m applying to and I couldn&#8217;t have picked a better time. The deadline for both is December 1st. There&#8217;s the NYU Graduate Program &#8212; Tisch School of the Arts. World renowned. The film world elite have been students or have taught there &#8212; Spike, Marty, Jim and Oliver.  It&#8217;s a big program and the price tag is just as big. The other obvious New York City choice is Columbia, a school that has always been know for a solid screenwriting program and beyond. When I was taking some Continuing Education courses at NYU way back when, the general consensus was that if you wanted to direct you went to NYU and if you wanted to write you went to Columbia. Not sure how true that was then and how true it is now.</p>
<p>There are a few concerns here, money being one of them. There&#8217;s no way I could afford NYU on my own without any financial assistance and that doesn&#8217;t include making films, that&#8217;s out of pocket. Going through the bursars website I found out that a three year program, at about $20,000 a term, comes to approximately $150,000. That is including a modest budget for student films. Very modest.</p>
<p>The Columbia University MFA cost is slightly less. The first two years are all coursework, no film production at all, and it&#8217;s approximately $50,000 followed by thesis years which are about $3,000 a semester for a Screenwriting concentration. Big difference from the Tisch program but I know that NYU has invested a lot into their film department. I&#8217;m not sure how the Columbia Directing Program really stacks up.</p>
<p>I guess a big reason why I&#8217;m applying is maybe because I&#8217;m craving the need to be immersed in something I deeply care about and still want to improve at. I&#8217;ve spent the last year and a half caring for my son while Linda toils away in the coal mines. I feel out of loop and this could be a way to get back in. Besides, the film industry is in a complete state of panic and flux. Maybe now would be the time to do this.</p>
<p>I&#8217;m definitely applying to both. The decision of whether I go or not will be made when the time comes. The decision might be made for me for all I know. I would appreciate anyone who wants to leave a comment about their MFA/Film Program experience at either one of these two schools or any film school for that matter.</p>
]]></content:encoded>
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		</item>
		<item>
		<title>Not A Good Week</title>
		<link>http://www.thissavageart.com/2009/08/07/not-a-good-week/#utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=not-a-good-week</link>
		<comments>http://www.thissavageart.com/2009/08/07/not-a-good-week/#comments</comments>
		<pubDate>Fri, 07 Aug 2009 12:13:13 +0000</pubDate>
		<dc:creator>William Speruzzi</dc:creator>
				<category><![CDATA[Filmmaking]]></category>
		<category><![CDATA[RIP]]></category>
		<category><![CDATA[Screenwriting]]></category>
		<category><![CDATA[breakfast club]]></category>
		<category><![CDATA[john hughes]]></category>
		<category><![CDATA[planes trains and automobiles]]></category>

		<guid isPermaLink="false">http://www.thissavageart.com/?p=1590</guid>
		<description><![CDATA[John Hughes was 59.<p class="extra"><a href="http://jarederickson.com/freebies/" title="Jared Erickson" >A minimal wordpress theme by Jared Erickson</a></p>]]></description>
			<content:encoded><![CDATA[<p><img class="alignleft size-full" title="Planes, Trains and Automobiles!" src="http://www.thissavageart.com/wp-content/uploads/2009/08/vlcsnap-23981291.png" alt="Planes, Trains and Automobiles!" width="427" height="242" />John Hughes was 59.</p>
]]></content:encoded>
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		<item>
		<title>Stanley And Me</title>
		<link>http://www.thissavageart.com/2009/02/04/stanley-and-me/#utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=stanley-and-me</link>
		<comments>http://www.thissavageart.com/2009/02/04/stanley-and-me/#comments</comments>
		<pubDate>Wed, 04 Feb 2009 13:37:44 +0000</pubDate>
		<dc:creator>William Speruzzi</dc:creator>
				<category><![CDATA[Directing]]></category>
		<category><![CDATA[Filmmaking]]></category>
		<category><![CDATA[full metal jacket]]></category>
		<category><![CDATA[matthew modine]]></category>
		<category><![CDATA[stanley kubrick]]></category>

		<guid isPermaLink="false">http://www.thissavageart.com/?p=1446</guid>
		<description><![CDATA[video platform video management video solutions free video player Matthew Modine speaks about how Stanley Kubrick ran his Full Metal Jacket set.<p class="extra"><a href="http://jarederickson.com/freebies/" title="Jared Erickson" >A minimal wordpress theme by Jared Erickson</a></p>]]></description>
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Matthew Modine speaks about how Stanley Kubrick ran his <em>Full Metal Jacket </em>set.<br />
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