He was dressed to the nines in a tux ready to run off and see the opening night screening of The Darjeeling Limited at the New York Film Festival. I would have joined him but my measly Lincoln Center Film Society individual membership didn’t have enough pull to get me that ticket — I’m still waiting for my tickets to come in the mail. Still waiting…

The truth is it’s hard to convey what it’s like to be around the man. He’s a combination of, well, damn I can’t even come up with an amalgamation. Abel’s an original let’s put it that way. You could tell he was a little nervous talking about the technology. He spoke of how he cut this film by using two Avids [like I said, I thought this was an Apple event?] side by side and compared and contrasted the versions the closer they got to completion. That’s a new workflow to me. Interesting.

Once Abel felt a little loose by opening up questions to the audience he had his forum. It’s both heartbreaking and endearing to hear him speak about his films because you know so much has gone wrong with them in the past. Financing and distribution woes have taken their toll on his body of work and yet he perseveres like a stand-up comedian whose been batted around the club scene for too long.

He spoke of how all of his core group of collaborators all dropped off one by one in the last decade. I can imagine money had a lot to do with this and if you watch A Short Film About The Long Career of Abel Ferrara on the King of New York DVD you’ll see my point. The long rumored break-up of Ferrara with his number one guy and close friend, screenwriter Nicholas St. John, came down to this — “he had to get out, he couldn’t take the business anymore.”

As the alloted hour wound down Abel took a call on his cell phone, the man had somewhere to be — to see the new Anderson film but more importantly to hit up some of the philanthropist in the Lincoln Center audience for some cheech for his next project. All I know is we could have hung around and talked with him all night which he would have been more than happy to oblige. I still wanted to ask him about the recent news of the Bad Lieutenant remake/update/reimagining. Maybe next time.

Go Go Tales will be at the New York Film Festival October 5th and 7th.

Hear Oscar-winning filmmakers Joel and Ethan Coen talk about their filmmaking experiences, including how they used Final Cut Pro to edit their films Intolerable Cruelty, The Ladykillers, and the upcoming No Country for Old Men. 4:00 p.m.

Tribeca Film Festival – Mood Enhancer – Short Film Program

Try a new drug in Onion Underwater, and it’s raining cows and dogs in The Water and the Milk. Every day is a gold-medal game in Heart of Whistler, and the audio diary of an unrequited crush is captured in Lawrence. Two guys sink or swim in Tell it to the Fishes, while two other guys seek celebrity fame in Color Me Olsen. We close the program with I Am Bob, where a strange competition forces an abandoned rock star to sing for his supper.