Tony Gilroy | This Savage Art

Tony Gilroy Writes Thrillers, Well

Comments   0   Date Arrow  March 10, 2009 at 7:14am   User  by William Speruzzi | Print This Post

The screenwriter/director speaks about surprising audience expectations in the current New Yorker [hat tip: John August]

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Tony Gilroy Interviews

Comments   0   Date Arrow  February 11, 2008 at 6:00pm   User  by William Speruzzi | Print This Post

[I decided to pull this post out of the sidebar because I wanted to add some more to it.]

Michael Clayton writer/director gets beyond the mechanics of screenwriting and to heart of the matter – imagination [via GreenCine - added podcast.] The podcast itself is a nice little film school compacted into a half an hour program hosted by the always enjoyable Elvis Mitchell. What I like about it is its a real inside take on the process of filmmaking from a doer. Not to take anything away from anyone. I’m a doer. You might be a doer. What I mean is he’s a pro writer turned director who isn’t talking out of his ass like some guru who has never been in the trenches. The real trenches. Twenty years of grinding it out only to emerge now with a project that is getting much attention. When I saw it in the theater all I kept thinking was how much I wanted to read the screenplay [you can download a PDF here.]

I attended a Script to Screen event that the IFP hosted around 2000-01(?) and Gilroy spoke with Raymond De Felitta about screenwriting. It was early on in his career and he was coming off Proof of Life. I remember thinking “that is what a pro screenwriter sounds like.” The guy walked the walk. As you will gather from listening to the podcast you’ll get the idea that he’s worked on his share of questionable films but it’s also where he learned his craft and how to swim the political waters of Hollywood. You can see the culmination of all that in Michael Clayton. You can also see the early films of Alan J. Pakula in it too which is a plus in my book. It is a shame the film got buried amongst the muck early in the year because as far as what Hollywood is celebrating right now as Academy Award fare, this is as good as I’ve seen in a long time.

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Michael Clayton Shooting Script

Comments   5   Date Arrow  January 28, 2008 at 2:24pm   User  by William Speruzzi | Print This Post

PDF available online for download. Related: How to make your screenplay “read like the movie.”

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